On Sunday 11th September, I’ll be showcasing and selling jewellery and fibre artworks at a local market. It’ll be a busy, fun-packed day, and I’m beginning to choose what to display on the day. I’d love to see you there!
“Celebration of Harakeke” was the theme for entries in the 2022 Creative Fibre education event exhibition (July 2022), and I enjoyed making a couple of fibre artworks especially for it – you can see them on my “Harakeke” page.
My first attempt didn’t work out: I knitted an oblong entrelac shape in flax-like colours, then tried to felt it. (Entrelac knitting mimics a woven look, and is great so long as you get the triangles on the edges sorted. I’ve definitely got to mark where I’m up to in the pattern next time!)
Unfortunately, because I’d used several old yarns from my stash – some of which proved to be acrylic – the piece didn’t felt well and the stitching looked quite loose. Even tacking it onto tapestry canvas and back-filling didn’t work. I’d harvested a flax stem, and planned to include it against the entrelac background in a box frame – but couldn’t find a frame deep, or inexpensive, enough. Another unfinished project, but one I might go back to some day when I’ve got nothing else to do…
In the end, I knitted Colours of Harakeke socks and a hat, incorporating a basket weave pattern, as well as making two new fibre artworks. Works in progress:
Here’s how entrelac is supposed to look (image on left); I’ve downloaded this pattern from Ravelry and plan to tackle it some time. Meantime, I’m working my way through the stash, making moss stitch tote bags, and only buying more wool to finish grandson’s stripey pullover.
Latest stitching work in progress: fibre artwork for gallery’s “NZ Icons” themed exhibition. Started out okay, but – since taking the photo – I overdid the pāua and it’s a mess. So here goes with the unpicking, and finding a better “icon” to include. Also, the punga fronds / koru look a bit like horns sprouting out of the shell.
I’m jolly pleased with the stylised pōhutukawa and fern, though.
Customer saw me stitching this and paid a deposit before Xmas 2021 although it was only two-thirds done. It’s almost completed and ready for delivery to my enthusiastic buyer!
Two of my fibre artworks have sold this week, Silver Birch with Lavender through from out of the blue studio gallery in Ōpunake, and Summer into Autumn at the Waikanae Community Market. The second sale followed a conversation about the fibres I used, and I mentioned that work submitted to the gallery in Ōpunake is required to be made from “all natural fibres – no synthetics allowed”, and how it’s influenced my choices so that (unless using up bits of my old stash) I now try to use all NZ wool, sometimes cotton, but no acrylics. The ‘browsers’ returned a short time later to purchase a fibre artwork, saying, “We’d like to support you.”
Images © bronwyn angela white (2021)
I’ve always loved silver birch trees with their intriguing bark and silvery trunks. I’ve included them in tapestries, along with pines and other trees, but it was a mosaic image I found on Pinterest that stayed at the back of my mind for a year or more while I worked on other projects.
Now I have time to work on them, my Silver Birch Forest series is up to #8 completed and another one (or maybe more) planned.
You can see the evolution of my ideas and fibre artworks on my Current Projects page, Silver Birch Forest series.
I’m creating an artwork for the Creative Fibre 2019 Festival. It has to include “a pot of gold” and fit on an A4 sheet of paper.
I’ve created fabric art before but nothing thus elaborate. I’m using it to try some techniques I haven’t done before, including brick stitch and Dorset buttons.
It’s almost finished, and will fit in this frame I already own. Not sure if it will be accepted framed, as that takes it larger than A4.