Latest stitching work in progress: fibre artwork for gallery’s “NZ Icons” themed exhibition. Started out okay, but – since taking the photo – I overdid the pāua and it’s a mess. So here goes with the unpicking, and finding a better “icon” to include. Also, the punga fronds / koru look a bit like horns sprouting out of the shell.
I’m jolly pleased with the stylised pōhutukawa and fern, though.
Two of my fibre artworks have sold this week, Silver Birch with Lavender through from out of the blue studio gallery in Ōpunake, and Summer into Autumn at the Waikanae Community Market. The second sale followed a conversation about the fibres I used, and I mentioned that work submitted to the gallery in Ōpunake is required to be made from “all natural fibres – no synthetics allowed”, and how it’s influenced my choices so that (unless using up bits of my old stash) I now try to use all NZ wool, sometimes cotton, but no acrylics. The ‘browsers’ returned a short time later to purchase a fibre artwork, saying, “We’d like to support you.”
I’ve always loved silver birch trees with their intriguing bark and silvery trunks. I’ve included them in tapestries, along with pines and other trees, but it was a mosaic image I found on Pinterest that stayed at the back of my mind for a year or more while I worked on other projects.
Now I have time to work on them, my Silver Birch Forest series is up to #8 completed and another one (or maybe more) planned.